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Caloroga Shark Media. Hello, I’m Johnny Mack with your Daily Comedy News for your New Year’s Eve plans. If you’re gonna watch Ryan Seacrest, a couple comedians and beyond gab Iglacias, Sebastian Maniscalco, and Miss Pat We’re told each comedian will appear throughout the show, discussing different topics. Gab Iglesias will discuss his favorite fashion trends of twenty twenty three, Sebastian will touch upon pop culture moments in twenty twenty three that ain’t right, and Miss Patt will discuss projects that went on strike this year. Dave Chappelle specials out on Netflix Today, Dave Chappelle The Dreamer.
We’ll see what comes out of that one. I’ll talk about that one during the week, The Wall Street Journal profiled Dave Chappelle a little bit, and they were talking about his attempts to open a comedy club and Yellow Springs. The Journal tells us the comedy and music club bears his logo a white sea on a field of red, black and green. Outside on a video screen, there’s still construction fencing around the brick building. Restaurant one open for months and the venue’s current name, which is why s Firehouse could change.
But Dave is already breaking in a performance room designed for less than two hundred people. He’s performed there three times over a recent weekend for audiences including locals and family, according to one attendees. As the Journal, Chappelle said the club was one of his proudest achievements and linked to the village’s history as a haven for artists, freethinkers, and the liberal politics of Antioch College, where Chappelle’s late father taught. The Journal’s article then gets into the various controversies Dave finds himself in. They write.
Chappelle’s critics say he’s been using the global platform of Netflix to hammer on vulnerable groups, harping on their supposed sensitivities and social ranking. Former fans call it a fixation that damages his legacy. Chappelle defends such material. Mark Gomez attended a Chappelle’s show in San Antonio. Mark said I just respect him and the way he isn’t caught up in the machine of the industry.
It then gestured to all the ninety dollars Chappelle hoodies that were for sale, said this is all money, but it doesn’t seem like money is driving all his decisions. Meredith intended to show in Mississippi be and said that she’s hyper sensitive to Chappelle’s bits about LGBTQ people because one of her two adult sons is gay. Mereth said they hadn’t informed her son about seeing a comic that he can’t stand. Meredith’s husband, Brent, said he’s in immedia bubble just like the rest of us. He’ll give us hell, but he’ll understand.
I can laugh at what Chappelle says, or I can dismiss it, or I can be offended, but that’s fine because the next thing he says will probably be funny. Nineteen year old Arlow found the show funny. Arlow has cerebral palsy. In that show, Chappelle began with his mock promise of doing all handicapped jokes, and then Chappelle pretended to be a disabled person in the audience annoyed because they wanted jokes about the expensive trans people. Nineteen year old Arlow said that was the funniest part of the set because I could totally relate.
In The Daily Beast, Sean McCarthy writes, that this was the year that TikTok ruined comedy thinks Matt Rife. Sean recaps Matt Rife’s year back in January, and Matt re released his debut special titled OnlyFans on the eight hundred Pound Guerrilla YouTube channel. Then in February, Ryfe put out his second special, Matthew Stephen Wright on the Platform Moment. He re released that hour on his YouTube channel in April that has gotten more than eighteen million views. Then the Netflix special Natural Selection, Rife’s third comedy special in less than a year.
Maybe that’s why the material wasn’t good. I mean, how much do you have? McCarthy wrote, Because TikTok broke Matt Rife big time. His example somehow broke the brains of many other, mostly older comedians in the industry who suddenly believed they needed their own crowd work clips to replicate Rife’s rise to fame. Sam Morrel included captioning and reaction shots with the crowd work portions of his special.
Joe List made a running joke of hoping to generate clips in his latest special. Even Joe Parra got in on the action. A flood of crowd work only specials hit YouTube, Matteo Lane, Big, Jay Stavros, Jessica Kerson, t J Miller. Kyle Kanade mocked the trend on his social media and told Sean earlier in the year, I hate bad crowd work and the fact that people will perceive it as this easy bounce towards a viral clip. And so everybody’s putting out clips where I’m like, I would delete this from my phone if I took at a show, you put it online.
There’s this mentality of like, just as long as there’s content out there, Kyle says, I’m like, Wow, what a sea of cramp we’ve created. McCarthy wright, So what’s the problem. Gary Goleman lays it out in the opening minutes of his special. Gary says, I just want to let the people in the front rows know they’re safe for me asking what they do for work. I remember going to comedy shows when I was in high school and later, and the comedian will ask somebody what they did for work and then proceeds to ridicule their profession.
And I just remember thinking, if I’m Emverer in the front row a comedy show and a comedian and asked me what I do for work? I’ll stand up and say, what do you do for work? I didn’t come here to be forcibly cast in your TikTok video, you lazy hack. Sewan adds the dirtiest little secret about crowd work, it’s not actually stand up comedy. It instead transforms the stand up comedians to the thing they claim to hate the most and respect the least.
Improvisers Canaine says, if anything, I feel bad for the TikTok stores, like, all right, well you have a lot of followers. How you going to monetize that, Well, we’ll putting you in a comedy club. But they’re not stand ups. They’re TikTok folks, and they go and sell hundreds of tickets and people get there and are like, oh yeah, yeah, ten minutes of material. Now you’re stage for an hour.
I don’t even blame them. I blame the managers. Whoever gets a hold of them just puts them out there to make that quick percentage of follow them before they burn out and realize they’re not stand ups. Man. Late stage capitalism affects us all.
Rolling Stone dusted off what they called a previously unpublished interview with Tom Smothers from twenty fifteen under the headline Tom Smothers made the Variety Show cool, quoting Tom, I didn’t want to do the standard bs. I’ve shared this article in the Facebook group which is Daily Comedy News podcast group. Some mothers talked about fighting with the network and he had this theme song they wanted to do, and the network was like, no, no, no, you gotta have something like Bob Open thanks for the memories, something memorable. His mother said. We thought, oh Christ, that was the first argument we had.
Rolling Stone asked about booking rock bands like the Who did you get grief for that? No, none at all. Occasionally something would come up, like when Sonny and Share were on and there was this big controversy they could see her nipples through her duress. They wanted to put bandages over them. Jefferson Airplane came out and Grace Slick did Crown of Creation in blackface.
I don’t know why no one said a thing. Some mothers also talked about doing pot jokes. Did the censors flag it? Yeah. We kept making up things for it, like Mary Jane and a couple of different names I’ve forgotten.
And we had Goldie Keith who did the weather report. She said, if you have unslightly roaches around the office, send them in. We’ll take care of them.
And then we got rolled up joints in the mail from the kids.
Brian Reagan is playing Minneapolis tonight for New Year’s Eve? Does he always work New Year’s Eve? Brian said, I used to like to take it off and host a party, but I’m changing my tune on that. It’s good for audiences because they can go and see my show and still go out afterwards and party as long as we don’t have to be on stage at midnight. I used to ring in the New Year at comedy clubs and the staff on hand out noisemakers.
Adults think they’re adults, but they act like children when they’re given something that makes noise. Reagan talked about where he likes to film his specials, specifically theaters. Brian says, as much as I like comedy clubs, they often have people at tables. That means people of drinks and are looking at each other and they start talking to each other. Becomes less of a show and more of a party.
In a theater, the audience is more focused when people are in a place that’s cool and fun and comfortable. It puts them in a good mood. One less hurdle you have to jump over. If I’m not funny, at least there’s some beautiful stuff to look at. And that is your comedy news for the year.
Huh, See what I did there. If you enjoy the show, tell a friend about it. They might like it too. If you want to support the show, you can go to buy me at coffee dot com, slash Daily Comedy News, or if you’re hip to podcasting two point zero, you can use the Fountain app and stream some SATs in my direction. You can click on the show notes if you want to learn more about that Happy New Year, See you tomorrow.