🎙️ Listen to this episode:
Full Transcript
The Shark Deck Chunny Mack with your daily comedy to News late Nights on strike from the Late Bots. I tried to sneak into the Kentucky Derby without a ticket, but I got caught. The security guard told me I can’t just horse around like that. That is awful, late Bot. This is why we need writers.
One more, I saw a horse at the Kentucky Derby wearing a boat tie. Then I read his text messages and was like, oh my, that one’s not bad. That one was half late Bot, and I kind of punched it up a little. Dave Chappelle could have been in Forrest Cump. Now.
The first time I read this story, I was like, wait, Dave Chappelle could have been Forrest Gump. What no, no, no, no, he could have been in Forrest Gump. Totally different story. This from Looper. Chappelle was offered the role of Bubba Blue.
The folks at Comedy Hype posted an old stand up set by Dave Chappelle. In the set, Chapelle explains that his agent wanted him to take on the role of Bubba, thinking the opportunity could land him an oscar. Chappelle read the script and immediately wanted to turn down the role in the upset. He says his decision was racially motivated. His joke, who could be dumber than Forrest Gump?
His black friend? That’s who Lewis Black was on the Last Laugh podcast. As recapped by The Daily Beast, Lewis turned seventy five this summer, and he said I had never considered myself old until the pandemic. Then I was told I was old. He doesn’t think about his legacy.
He never had children, so all he will leave behind is his work. And he says, I don’t know if it matters anymore. I got more successful than I ever expected, So I find myself at this point wondering if I’ve stayed too long at the fair, is it’s time to wrap it up. I’ll stick with it as long as I can learn from the craft. He was scheduled to guest host The Daily Show, but you know, writer strikes, so I don’t know if that’s going to happen now.
Lewis said to be honest, when they first started saying they were gonna have guest hosts, I literally said, I want to be on. Can I sit in that chair? Once I’ve been on the show twenty seven years, can I please sit in the chair. As soon as I started talking about how they we have guest hosts, I was pretty ticked at that that he wasn’t on the list. He said, none of us were, none of the correspondence, and I just thought, come on, guys, throw a bone.
And it really undermines, too, something that I felt about this show for years, which is it undermines the importance of the writers on that show. So it’s not just who’s sitting in the seat, it’s the guys and women in the back room. We’re pumping out all sorts of stuff on a daily basis. Obviously, they started with some big names and that was probably part of the plan. But now it’s great seeing the correspondence in there, Roy with Junior, Jordan Klupper.
I thought it. Roy did a terrific job. Jordan did a terrific job. They’re all gonna be really good. I’m not gonna be good, but they’re gonna be terrific.
Samantha be apparently was surprised nobody reached out to her, Lewis said, which I don’t get. They reached out to Hassan Minaj and I’m not disparaging having these folks on. I think that’s great. I just think they should have started with us. But I’m thrilled to be able to do it, and now he’s not gonna be able to do it right.
Strike Here’s what’s interesting. Lewis does not write his stuff for the Daily Show. He doesn’t even choose the topics for Back in Black. He said, no, they took it for me early on because a couple of producers on the show didn’t feel like I belonged and they didn’t feel I was funny. They wanted to punchline rather than an attitude.
But part of what’s been my bread and butter as a comic is my attitude. The attitude gets the laugh. My initial reaction has always been confrontational when it comes to the workspace. I’m always like, I’m not going to take this stuff, and I’d walk away, and then I thought, I can’t walk away. What am I thinking?
I’m not gonna walk away from this? You want to write it go ed. What I had to do was take what they were giving me and putting it in my own voice. So it was like an acting gig. No all of them know my voice, so it’s never a problem, and I love the way they write.
Pace Magazine spoke to Scott Ackerman. He’s been doing a little tour for his book and his eight hundredth podcast, and he said, when I started podcasting was in its nascent form. The only podcast I knew were comedian hangout shows like Jimmy Parto or Ricky Gervais. I thought my show might be that in the first week, and then I pivoted into interviewing comedians, sort of a proto WTF. Then after the third week, the programming director said that that show was boring and he always thought I’d be doing comedy instead of talking about comedy.
I was like, okay, that’s a good note, so I swung into approaching it. I’m like how Conan O’Brien would do a panel, but on a podcast, I’d have comedians on doing their jokes and I would set them up. That was me not having incredible confidence in my own abilities. But I knew everybody’s act really well, so I knew how to be a genial host who could throw to them. Around the tenth episode, Andy Daley was on and he was doing a character.
We got into a weird side conversation about a code he had bought, and for me, that’s when it came to life. It was less wrote and a little less prepared, and he’s such an incredible improviser he was able to roll with it. So I left that show going okay, that was really funny, and it gave me more to do. Around the same time, Paul ef Tompkins started doing characters, and he’d email me bullet points and what he’s going to talk about for the first year, so that could be prepared anytime would go off on a tangent. It seemed like the most fun to me.
That’s where the show kind of landed. The Charleston City Paper spoke to Horry Kunda Buloo. He spoke about the pros and cons of releasing his film The Problem with a Pooh Or. He said, I feel like the conversation I had to start was useful to a lot of people. The documentaries used in college classrooms and high school classrooms.
It is a value I certainly didn’t anticipate when I made it. It certainly made a bigger imprint than I expected, So I’m grateful for the fact that I contributed to a conversation I value and that it really resonated with people. But at the same time, I’m not particularly happy with a kind of negativity I still get around it, especially from people who haven’t seen it. It was just another thing they could bring up to say everybody’s two sensitive, everybody’s a snowflake, as opposed to watching the thing and coming up with reasons to disagree with it. Harry spoke about his relationship with Hank Azarian said, the conversation I’ve had with Hank is very different from the conversation that’s happening publicly, and that’s because he’s put a lot of work into thinking about the issues that I brought up.
People also missed the fact that I’m a Simpsons fan. It’s one of the big influences on my comedy. The idea that I don’t get the show or I don’t know what it’s about. It’s like, no, that’s the thing. I try to make a nuanced this from the perspective of somebody who loves the show and also feels weird about the fact that the character really kind of painted what my community looked like for the longest time.
Harry said, if he could go back in time and tell his younger selves. Some advice it would be to develop a thick skin. When you’re going out there and trying to be honest about how you feel about the world. It means that a lot of people will disagree with you, and it’s completely worth it because the laughter you get and the joy you bring by far outnumbers the feeling you have when people are being terrible. Every time I’m on stage, it’s still this wonderful feeling that I’m performing for a bunch of friends I haven’t met yet.
That’s what it feels like. We’re not friends yet, but I feel like we’re gonna be friends because we’re resonating. Jason Reitman is directing a film that follows the first night of Saturday Night Live. The film is set October eleventh, nineteen seventy five. The night of the SNL premiere that week, the show’s host, George Carlin informed the show that he wouldn’t do any sketches.
Instead, he just do four stand up monologue scattered throughout the show. Billy Crystal was supposed to do a bit on the show, and that was cut between dress rehearsal and air due to the show not having enough time for the routine. There were also the adult muppets created just for that show. Yeah, that was a disaster a filmed by Albert Brooks and not much for the cast members to do unless you were Chevy Chase. One of the memorable bits from that premiere episode the legendary Andy Kaufman Mighty Mouse Routine.
Today on the UK is at Channel five unless you’re watching the Coronation of King Charles. It’s Faulty Tours fifty years of laughs. That’ll be on Channel five at nine fifteen pm. Overt Palace Intrigue. We’ll be covering the coronation.
Johnny Max gotta work on a Saturday. Porn me. That’s your comedy news for today. Follow the show for free on Apple, podcast, Spotify, YouTube, wherever you get your shows. See tomorrow.
Once in the Generation I Knew You Putty shinto Dynasty takes Shape. I am Mark Francis, host of Palace Intrigue, a daily podcast about the royal family and the only place you can get all the news, gossip and updates from inside and outside the Palace, from Harry and Meghan in California to Cayton William in the UK. Along with King Charles Quincamiller, Prince Andrew and the whole cast of characters. This coronation will be one for the ages, and we’ll bring you every detail, on every moment in just a few minutes. Every day.
Hear Palace Intrigue on Apple Podcasts, Spotify, YouTube, or wherever you get your podcasts.